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Discrimination against Latino journalists in the United States affects the environment of freedom of expression and access to information for the Hispanic communities they frequently report on and write about.
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The first stage of Melba Newsome's project was getting newsrooms on board with making their reporting more reflective of their communities. Next, they had to answer that age-old question: “how to curate more diverse sources?”
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Let’s say you want to run a photo workshop for teenagers. Nice idea. But a lot of work. That’s why Monique Woo created this guide.
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For Innovation in Focus this month, student Sara Dingmann spoke with Tamar Charney, managing director for personalization and curation at NPR, about the ethics of redubbing.
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RJI Senior Editor Kat Duncan has been named the new director of innovation at the Donald W. Reynolds Journalism Institute at the Missouri School of Journalism.
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Yes, people read captions. They’re some of the most scannable, well-read elements in news media. So how can we make them truly worthwhile? It’s time to test.
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It’s a year like none other for the 78th annual Pictures of the Year judging competition, which kicks off Feb. 16 with almost double the amount of judges as normal, virtual judging and a record breaking number of photos submitted.
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American institutions have only recently begun to take the question of reparations seriously. Black staff members at Free Press posed a question: What do media reparations look like? Collette Watson is one of the architects of the project.
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This month, Sara Dingmann tested Descript’s new video editing software to create this video about a local maker and his business. Here are five tips for using Descript video editor.
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Oscar Perry Abello is a New York City-based journalist and senior economics correspondent for Next City. Linda Miller spoke with Abello as part of RJI’s Inclusive Media and Economies project that examines the links between rebuilding local economies.
Donald W. Reynolds